Therese, or probably Theresa Heyne, known
by her married name as Therese Huber, born in Göttingen on May 7 1764, daughter of the classical
philologist Christian
Gottlob Heyne; died in Augsburg on the night of June 14/15 1829. She was one of the
so-called Universitätsmamsellen, five
daughters of academics at Göttingen University who would probably have got professoress-ships
themselves in today’s world, but... the others were Meta Forkel-Liebeskind, Caroline Schelling, Philippine Engelhard and Dorothea Schlözer: more
on them here.
She became the
first woman editor of a major literary journal - though she did so anonymously
for many years, because women in Deutschland at that time were supposed to
manage family homes, not newspapers - and wrote many novels in which the women
sort of did but really didn't quite conform to the stereotype just described.
Her obituary was written by no less a person than Wilhelm von Humboldt, so clearly her intellectual
credentials were in tact.
But
enough of bio (though if you insist on more, try here); what should
matter to posterity is that she was one of the most prolific writers of late
18th- and early 19th-century Germany, publishing more than sixty stories, six
novels, almost four thousand letters, and translating several works from French
and English into German - all that in addition to her journalism. From 1816 to
1823 she edited the "popular" German newspaper, “Morgenblatt für
gebildete Stände” (“Morning Daily for the Cultured Classes”), a paper whose
title suggests that it probably wasn’t an equivalent of The Sun, The Mirror or
The Mail, so “popular”, not “populist”.
“Adventures on
a Journey to New Holland” is unsurprisingly vague about Australia, relying as
it did on Georg’s brief visit, and not having him him around any longer to add more
from memory - he died in 1794. Nevertheless she produced a sequel, “The Lonely
Deathbed”, in 1810.
But
I have jumped ahead: she and Georg
had left for Switzerland in 1792, and Georg, as noted, died two years later. With them had fled a
close friend, a Saxon diplomat named Ludwig Ferdinand Huber.
The couple married, but he had no source of income save a few savings, and so
she needed to earn for the two of them from her writing. The novel “Die Familie
Seldorf”, with the French Revolution as its central theme, occupied 1795 and
1796; but Huber
died in 1804, and “The Lonely Deathbed” was rather more a matter of financial
necessity than the extension of literary investigation. She is remembered today
as Germany's first professional woman writer.


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