December 20

1811



Alongside Guy Fawkes and Robin Hood, Rebecca Riots and Captain Swing, English history is replete with wondrous tales of heroes – who never actually existed. The real Guy Fawkes is revealed on November 5 of this blog, and the truth about Robin Hood will be outed later; Rebecca Riots should really be the Rebecca Riots, an event not a person: protests against poll taxes which took place in Wales between 1839 and 1843 (and see also March 31 and especially June 15: riots against poll taxes are an English tradition!); the Rebeccas were all men dressed as women in the vain hope of going unrecognised by the police. 

Captain Swing was a disguise too, a false name in a series of complaining letters, at around the same time as the Rebecca Riots. The complaint was low wages, but it soon extended to the introduction of horse-powered threshing machines, which cost the men their jobs. The riots swept across Kent and Sussex, with more than 600 imprisoned, 500 sentenced to transportation, 19 executed and 9 hanged.

Captain Swing was a Luddite, a term still in use to describe those who are unwilling to accept the replacement of human wage-slavery by robots and computers. The original Ludd was described in an article in "The Nottingham Review" on December 20th 1811, though no historian has yet found any evidence to support its authenticity, and the truth is: it was probably made up. The article described Ludd as a weaver from Anstey, near Leicester, and recounted how, at some time in 1779, as a consequence of being whipped for idleness, or possibly in reaction to being mocked and taunted, he smashed two knitting frames in a "fit of passion". So he entered history. 

That same year, in his "History of Nottingham", John Blackner recorded the tale of one Edward Ludnam, who was instructed by his father, a framework-knitter, to "square his needles". Ludnam responded by taking a hammer, and "beat them into a heap". As Blackner reports it, news of the incident spread, and whenever frames were sabotaged, people would jokingly say "Ned Ludd did it" – Blackner fails, however, to explain how Ludnam became Ludd, or indeed why, later on, Ludnam would be remembered as Ludlam, Ludlum and even Nuddlam. All we can say for certain is that the name became as if sewn on, and that, by 1812, frame-breaking had become a form of industrial sabotage so widespread that the term "to strike" derived from it; the organized frame-breakers became known as the Luddites, their letters and proclamations were signed by "Ned Ludd""Captain Ludd", and even "King Ludd", though there was no actual leader, or not by that name anyway.



As the legends grew, Ned Ludd quickly became transformed into a latterday Robin Hood, with his rag-and-bobtail army ensconced in Nottingham's Sherwood Forest, and acts of industrial sabotage carried out as far afield (as far afactory would be more accurate) as York. The historian Eric Hobsbawm has wittily described their strategy of machine wrecking as 
"collective bargaining by riot", though in fact they never rioted, they merely wrecked, until the 1812 Frame-Breaking Act, and the Malicious Damage Act of the same year, made it a capital offense (Lord Byron, in his maiden speech in the House of Lords, defended the rioters and sought, by means of words alone, to sabotage and wreck the bills – he failed). Once the laws were in place, the authorities brought pre-Trades Unionism to a rapid end, employing more soldiers to the purpose than were in the field against Napoleon. Nothing of the sort was seen again in England until Margaret Thatcher took on the miners in the 1980s.




The concept of Ludditism remains alive today, though it is difficult to imagine check-out ladies at Walmart or burger-waitresses at MacDonalds smashing the self-pay tills or the robotic serving arms in protest at the further reduction in their terms of slavery. The simple fact is, that the development of technology at current pace will enable the replacement of human beings in every facet of working life by the end of the 21st century, liberating us from slavery and enabling us to dedicate our time to sport, art and leisure, just as that great visionary Karl Marx predicted!










You can find David Prashker at:


Copyright © 2016 David Prashker
All rights reserved
The Argaman Press

February 28




1533, 1929


1533

And then there are the ways in which the historic turns into the merely quaint: this entry in my 2008 diary for example, which I now look back on (and it's barely a decade) as though I had written: "hitched up my donkey this afternoon to a wooden box I made, with some wooden wheels. I wonder if it might catch on as a new mode of transport." The real entry reads:

"The newly-installed Kindle on my i-Phone has turned me into a digital bookworm, augmenting the thousands of books on my physical bookshelves by providing me access to tens of thousands more in cyberspace. What I am particularly treasuring is the ability to download out-of-copyright classics for free and have any of them that I wish to in the palm of my hand at any time. So I stand, in the check-out at the grocery store, or sit in a coffee bar waiting for a friend, or fill the time until the bus, the plane, the train is due to leave; or simply lie in the bath or in the darkness of my bedroom, knowing I cannot fall asleep in one, but safely can do in the other, because the machine will automatically switch off. The entire world of literature at my disposal, literally at the click of a thumb. A moment of Aristotle. The discovery of Disraeli as a novelist ('Tancred' is my favourite; better than 'Sybil'). A poem by Robert Service or Siegfried Sassoon. Books I have never got around to reading, but should have - 'Vanity Fair', Turgenev's short stories, 'The Three Musketeers', Coleridge's 'Biographia Literaria' - all free..."

Ah, what it is to be an enthusiast!

The last sentence of that diary entry added one more book, "Epigrams" by Michel de Montaigne, whose birthdate it happens to be today, and who might have been copying Pessoa when he wrote:
"We should set aside a room, just for ourselves, at the back of the shop, keeping it entirely free and establishing there our true liberty, our principle solitude and asylum. Within it our normal conversation should be of ourselves, with ourselves, so privy that no commerce or communication with the outside world should find a place there."
What he goes on to say is more mundane, not worth the quoting (though the inference of the quoted remark is precisely my paragraph which preceded it: Montaigne would have been a Kindleholic). A few pages later he becomes quotable again, referencing Cicero:
"Remember the man who was asked why he toiled so hard at an art which few could ever know about. 'For me a few are enough; one is enough; having none is enough.' He spoke the truth. You and one companion are audience enough for each other; so are you for yourself… You should no longer be concerned with what the world says of you, but with what you say to yourself. Withdraw into yourself, but first prepare yourself to welcome yourself there."
Isn't that the most wonderful way of phrasing it! "Withdraw into yourself, but first prepare yourself to welcome yourself there." A warm bath, and a good book. D.H. Lawrence called it "Art for my sake", but I think the Montaigne is actually bigger. Not just Art, but Life itself.


Michel Eyquem, to give him both his first names, and very much the aristocratic de Montaigne, uttered what I regard as the most profound line ever uttered by wise man and by fool: 
"I have never seen a greater monster nor a greater miracle than myself".
The pulchrasaurus, perfectly defined.
"There is a plague on Man, the opinion that he knows something."
Including this, of course. Including this.

As a writer, I rather enjoy this one too, from his essay "On Some Verses of Virgil":
"Any topic is equally fertile for me. A fly will serve my purpose; and God grant that this topic I have in hand now was not taken up at the command of so flighty a will! Let me begin with whatever subject I please, for all subjects are linked with one another."
The opening phrase is arrogant, of course, but just. It offers a good description, too, of the method of this blog-book. But it also leads, or at least risks leading, to Beckett's Lucky in "En Attendant Godot", the thinking-machine that simply requires a Pozzo to press the start button. Nonetheless "he spoke the truth".


Harold Bloom, in his essay on Montaigne, insists on spelling Virgil Vergil - as though he were the Sidney Poitier character in "In The Heat Of The Night". But he too spoke the truth - Publius Vergilius Maro the full Latin.

Bloom also makes the claim for Jewish lineage in Montaigne: two references in the "Essays" to his mother, Antoinette de Lopes, as coming from a prominent Toulouse family of Spanish-Jewish origins. Given the spiritual-metaphysical link to Freud and other Jewish thinkers, perhaps this should not have surprised me. But it was the Lopes that caught my interest, because I was writing a novel at the time, about a historical Lopes of the same period, likewise of Spanish-Jewish, though even more of Portuguese-Marrano origins, Queen Elizabeth's personal physician and the model for Shakespeare's Shylock, Roderigo Lopes. Could it be?

To which the answer, after some research, proved to be yes, and they were cousins. Upon leaving Spain at the time of the expulsion of 1492, his mother had frenchified her name to Antoinette de Louppes - Bloom's spelling error, on this occasion (though, strangely, not in the book version that I just got from the library, only in the copy I downloaded to my Kindle).





1929


A decade and more ago (the pun, actually the double-pun, is sadly inevitable), I was living in Toronto, and among the several splendid buildings that were being put up at the time, to enhance the city's aspiration to be taken seriously as a cultural centre, the good Jack Diamond, when not refurbishing and expanding my school at ridiculously low cost, was building the city's magnificent Opera House, while his old Jewish friend Frank Owen Goldberg, now known as Frank Gehry, was doing something rather less conventionally traditional or traditionally conventional, to the AGO, the Art Gallery of Ontario: "a landing-pad for an alien spacecraft", was the generally favoured description, though most people presumed that the spacecraft, in the end, had crashed.

The outside of the AGO is indeed shocking, and may even leave you wondering if he "borrowed" the idea from the spacecraft that landed safely in the courtyard of the Louvre (click here to see it); inside the use of space is simply fantastic, even better than the Guggenheim Museum in Bilbao, which he also built - similar in the way it manages to pour light in through every nook and cranny, but the Bilbao doesn't have those staircases and walkways, nor that absolutely gorgeous fir (who builds in fir, for g-d's sake!) Nor does Bilbao have the two great holes that Toronto has, an enormous collection of those two great holes indeed (a Henry Mre sculpture of Trnt would of course require Three Large Hles), though I understand - with deep regrets - that Henry and the Mre are going to remain inside, but the splendiferous bronze "Large Two Forms", which have provided an adventure playground for visiting scoolchildren for decades, have been removed. The other Frankly great among architects, Lloyd Wright, would never have allowed this sacrilege.

FG was born today in 1929.



November 4



1846


Among the sarcasms and satires and flippancies of my novel "A Journey In Time", there lay a serious purpose, which was to seek an escape from the tribal propaganda which is the history taught in most schools, and to replace it with a teaching of history that advocated harmony among men and women, that celebrated their achievements in that regard, and did so by including the whole world, and not just the narrow limitations of whichever social and geographical boundaries "our school" happened to inhabit. There must, it seemed to me, be a way of writing universal history that included everyone, rather than the endless declarations of "our" superiority and "their" inferiority, and the limiting of history to wars, rulers and legal reforms. In the novel, I chose to write a universal history of my birthdate, June 27; but November 4 offers another approach, which may actually hold out more promise to the novelist than to the historian: a universal history of patents.

On this day:-

In 1846, Benjamin Palmer patented the artificial leg



In 1862, Richard Gatling patented the Gatling gun


In 1873, Dentist John Beers of San Francisco patented the original crown (the "old crown"; new and improved versions have replaced it).



In 1879, a human being named Elkins patented refrigerating apparatus








 







In 1879, James & John Ritty patented the first cash register, to combat stealing by bartenders in their Dayton, Ohio saloon



A universal history of patents - why not? I have no idea if it is even possible to undertake this, but would it not be fascinating to know who first came up with, even if they did not formally patent it, the concept of Justice or Truth, the application of red lipstick or black mascara, the use of fried tomatoes in cooking, the complex distillation of whiskey or the fermentation of wine. Perhaps we can build the book right here, on this blog, by adding information in the comments section until we have accumulated sufficient for an anthology.

 

image courtesy of Sara Harris
For the information, November 4 was not limited to patents.


In 1854, a new form of lighthouse was completed, unpatented, on Alcatraz Island
 


In 1890, the Prince of Wales opened the first Underground Station, at Stockwell in London


In 1939, the first air-conditioned automobile (a Packard) was exhibited, in Chicago, Illinois

 

And of course, in 2008, Barack Obama was elected the 44th President of the United States, which event is a kind of patent - if ever another non "white anglo-saxon protestant(-orveryoccasionallycatholic)-male" should happen to win the quadrennial auction for the White House, he will need to acknowledge who the very first one to break that cartel was.



Amber pages



George Edward Moore, Analytic philosopher, born today in 1873


Robert Mapplethorpe, photographer, born today in 1946


The first wagon train reached California, today in 1841


Wilfred Owen, pro patria mori - one week, just one bloody week, before the armistice - today in 1918


The entrance to King Tut's tomb, discovered, finally, after decades of searching, by Howard Carter, today in 1922.


And the oldest of all un-patented human inventions, eternally repeated, twice on this date:


Soviet forces crushed the anti-communist revolution in Hungary, today in 1956


Iranian militants seized the US embassy in Teheran, today in 1979

January 11

1867, 1860, 1961, 400


The world, I know, has never heard of him, but today was the birthday, in 1808, of Abraham Mapu, the man accredited with writing the first modern Hebrew novel - fifty years before the birth of Eliezer Perelman, eighty before Perelman became Ben Yehuda and led the revival of Hebrew as a spoken language in Israel (see January 7). Mapu was born in Kovno, in what was sometimes Russia and sometimes Poland but is now Lithuania, and described that period of his life in his second novel "Ayit Zavu'a". The first novel, "Ahavat Tsi'on - The Love of Zion" was the ground-breaker, set in the time of Isaiah; the third, "Ashmat Shomron - the Guilt of Samaria", was set in the same epoch. A proponent of Haskalah, the movement for Jewish Enlightenment, he lived most of his life in Kovno, and died there in 1867. 

And Kovno is why he is dear to me - after all, someone was bound to write the first modern Hebrew novel eventually, and it really doesn't matter who that happened by random chance to be; but history, as David Kalischer declared in "A Journey In Time", history is only interesting when it is also personal, and Kovno is deeply personal, to me anyway, because Kovno was the principal base of the only European Jews who did not collaborate in their own victimhood, who did not yield to evil because they considered it to be merely "banal" or "non-human" and therefore "unvanquishable": I am speaking of that band of abject heroes, most of them teenage boys with broken bottles and kitchen knives, and those other most sophisticated weapons of war, grim determination and blind hope, the Jewish Resistance Movement, Dam Yisrael Nokem, to whom I added one fictional member, Bernhard "Argaman" Aaronsohn, in my first finished novel, not in Hebrew though probably it should have been, "The Flaming Sword". 

So Mapu matters, deeply, even though, I will confess the matter, I have never actually read him. The book published in 1853 was called "Ahavat Tsion - Love of Zion", though for some reason its 1887 English translation came out as "Amnon, Prince and Peasant"; his other novels, "Ayit Zavu'a" (1858) and "Ashmat Shomron" (1865), managed more straightforwardly accurate translations into English, as "Hypocrite Eagle" and "Guilt of Samaria". Kovno is now in Lithuania, and has therefore also had its name translated; it is known today as Kaunas.




1860

But the date at the top of this entry is 1860, not 1808, and 1860 is not a date obviously associated with either Kovno or the Holocaust. And yet...


The great German writer W.G. Sebald, in his book "The Rings of Saturn" - an account of a walking journey from Lowestoft to Bungay by a route so circuitous that it circumnavigates most of the known universe - recounts an anecdote of British imperial involvement in China which would make a fitting appendix to either "The Garden" or "The Wall of the Barbarians", both of which may be found in my collection "The Captive Bride". 

I cite it here in full:

   "In early October [1860] the allied troops, themselves uncertain how to proceed, happened apparently by chance on the magic garden of Yuan Ming Yuan near Peking, with its countless palaces, pavilions, covered walks, fantastic arbours, temples and towers. On the slopes of man-made mountains, between banks and spinneys, deer with fabulous antlers grazed, and the whole incomprehensible glory of Nature and of the wonders placed in it by the hand of man was reflected in dark, unruffled waters. The destruction that was wrought in these legendary landscaped gardens over the next few days, which made a mockery of military discipline or indeed of all reason, can only be understood as resulting from anger at the continued delay in achieving a resolution [to the continuing Opium War, negotiations for whose conclusion were stalled in baulk]. Yet the true reason why Yuan Ming Yuan was laid waste may well have been that this earthly paradise - which immediately annihilated any notion of the Chinese as an inferior and uncivilised race - was an irresistible provocation in the eyes of soldiers who, a world away from their homeland, knew nothing but the rule of force, privation, and the abnegation of their own desires. Although the accounts of what happened in those October days are not reliable, the sheer fact that booty was later auctioned off in the British camp suggests that much of the removable ornaments and the jewellery left behind it by the fleeing court, everything made of jade or gold, silver or silk, fell into the hands of the looters. When the summerhouses, hunting lodges and sacred places in the extensive gardens and neighbouring palace precincts, more than two hundred in number, were then burnt to the ground, it was on the orders of the commanding officers, ostensibly in reprisal for the mistreatment of the British emissaries Loch and Parkes, but in reality so that the devastation already wrought should no longer be apparent. The temples, palaces and hermitages, mostly built of cedarwood, went up in flames one after another with unbelievable speed, according to Charles George Gordon, a thirty-year-old captain in the Royal Engineers, the fire spreading through the green shrubs and woods, cracking and leaping. Apart from a few stone bridges and marble pagodas, all was destroyed. For a long time, swathes of smoke drifted over the entire area and a great cloud of ash that obscured the sun was borne to Peking by the west wind, where after a time it settled on the heads and homes of those who, it was surmised, had been visited by the power of divine retribution. At the end of the month, with the example of Yuan Ming Yuan before them, the Emperor's officers felt obliged to sign without further ado the oft-deferred Treaty of Tientsin. The principal clauses, apart from fresh reparation demands that could scarcely be met, related to the rights of free movement and unhindered missionary activity in the interior of China, and to negotiation of a customs tariff with a view to legalising the opium trade. In return, the Western powers declared themselves willing to uphold the dynasty, which meant putting down the Taipeng rebellion and crushing the secessionary movements of the Moslem population of the Shensi, Yunnan and Kansu valley regions, in the course of which between six and ten million people were made homeless or killed."

Sebald does not state this, but the bombing of Hiroshima and Nagasaki must surely have been in his mind as he described the obliteration of Yuan Ming Yuan, and undoubtedly, because his later writings confirm this, the similar devastations of Meissen, Cologne, Hamburg and other German cities by the Allies, as a "necessity" to end the Second World War.

1961

I was drawn back to this piece by an article in New Republic (click here), neither a review nor exactly a piece of literary criticism, though its focus was Martin Amis' new novel "The Zone Of Interest", which recounts the tale of a love affair between a Nazi officer and the wife of the camp commandant of Auschwitz - a work of pure fiction, as far as I am aware. Appended to the novel is an afterword, an exploration in philosophical rather than novelistic terms, of one of the book's key themes, which is summed up by a quote from Primo Levi:

"Perhaps one cannot, what is more one must not, understand what happened, because to understand is almost to justify. Let me explain: 'understanding' a proposal or human behavior means to 'contain' it, contain its author, put oneself in his place, identify with him. Now, no normal person will ever be able to identify with Hitler, Himmler, Goebbels, Eichmann, and endless others. This dismays us, and at the same time gives us a sense of relief, because perhaps it is desirable that their words (and also, unfortunately, their deeds) cannot be comprehensible to us. They are non-human words and deeds, really counter-human. ... There is no rationality in the Nazi hatred; it is a hate that is not in us; it is outside man."

I have long held great respect for Primo Levi, but this paragraph may well be the beginning of my disenchantment. To describe what the Nazis perpetrated as "non-human" is to deny a hideous truth about humanity, and tacitly both to excuse it and to allow its repetition - the same is true of Hannah Arendt's disclaimer about "the banality of evil", to which I shall return in a moment. The Nazis did what they did because they wanted to, because they believed in it, ideologically and philosophically, and because the people they needed as their assistants were entirely willing to assist: and these are both, the active and the passive, these are both aspects of being human. They did it in the way they did it by applying thought, by fastidious planning, by systematic use of their intellectual capacities to deceive those who would become their victims, to coerce those who would serve as their accomplices. They did it with premeditation, and with clear purpose. They applied a most inhumane morality, but inhumane is not the same as non-human or un-human; it simply differs from the morality that others have defined. What the Nazis did was actually no different from what the British soldiers did at Yuan Ming Yuan, or the Americans at Hiroshima and Nagasaki, nor what has happened since in Cambodia and Rwanada, in Tienanmen Square or in the army school in Pakistan in 2014, where the Taliban murdered a hundred children, or what Assad has been doing to his people in Syria with chemical weapons for the last several years. On each occasion fully conscient human beings did what they did because they wanted to, because they were in a position of power that enabled them to, and because, with their human faculties, they had convinced themselves that it was right and even necessary.

Friedrich Nietzsche carries much of the ideological blame for what the Nazis did, though perhaps erroneously. "Also Sprach Zarathustra", which gave the world the Ubermensch and the Nazis the ikon for their idolatry, was published in 1883; seven years earlier the same writer published another book, whose title provides the perfect riposte to Primo Levi. He called it "Human, All Too Human."

It was at the Eichmann trial in Jerusalem in 1961 that Arendt coined the soundbite "the banality of evil", a soundbite so splendidly and obliquely fine-sounding that the world immediately grabbed hold of it, and has been repeating it as often as there have been repetitions of the holocaust somewhere in the world, which is about twice every year. But think about the phrase, set it alongside the stupidity of the Primo Levi - Arendt is not only wrong, but wrong on two counts.

First, as above, it is not the evil that is banal, but the people who perpetrate it. Evil is simply evil - the word is an adjective, not a noun; a description of an event and a behaviour that has taken place. The word requires an understanding of the motive of the perpetrator, and it may very well be good that was intended. For it to be evil the conscious motive must be evil, as in the case of that man in Norway who murdered people on an island. He knew what he was doing, and chose to do it. But the banal people rarely have a conscious motive towards evil; their sin is passivity, sloth, indigence, the preference for an easy life. They are "only obeying orders", "only doing their jobs", only, if I may coin a phrase,  singing "Cock Robin" (for an explanation of that last, go to February 6). The mind of the bureaucrat is banal in exactly this way, and all of us encounter this banality every day. It is a mind-set which allows evil to take place, whether by doing something that facilitates it, or perhaps by simply doing nothing to prevent it, but always by choosing the easy path of passivity - which thus becomes tantamount to complicity. 

Arendt claims (I am quoting from Margarethe von Trotta's splendid movie account of Arendt in Jerusalem for the Eichmann trial) that Eichmann was "incapable of thinking"; this is clearly untrue; in the newsreels of the trials we witness him thinking all the time, but his thought-process is bureaucratic. He thinks: I am going to protect myself by passing the onus of blame and responsibility upwards, to those who issued the orders. He thinks: I am going to please my superiors by doing what I have been told to do. He thinks: I am going to avoid forming moral judgments about the rights and wrongs of what these orders require, or infer, or where they lead (correction: not "avoid forming" but "voluntarily forego the right to"). He thinks: I am going to focus my thinking on the efficient execution of the tasks I have been given. He thinks: there is nothing to be achieved by my refusing, because I will simply be replaced by someone who will not refuse. All these are thought-through choosings to evade moral responsibility. None of them are evil. They are good choices for the maker. They are entirely rational. They are strategies for survival that history has proven to be successful. They are - banal. But they are not intrinsically evil. In fact, they are mostly very good. Their only fault lies in their giving of permission to, perhaps their compliance with, even their facilitation of evil. There has to be a victim for there to be a victor.

Second, she is wrong when she says that the leadership of the Jewish community in the Judenraten were unable to resist but did not need to collaborate; that there should have been found a middle path. Most thought their collaboration was that middle path, and definitely their best chance of survival; so their motive was excusable, for the same reason as Eichmann's, even if, in their case, it was thoroughly misguided. But resistance was certainly possible, as was proven in the Warsaw Ghetto, in the rebellion at Sobibor which forced that camp's closure, in the actions in places like Kovno that I have recounted in "The Flaming Sword", including the abject failure of the attempt to blow up the crematoria at Auschwitz and incipit an insurrection there. Those who formed the Judenraten cannot be excused for rejecting this option; and even more, they cannot be excused for actively opposing those who did resist, for condemning them, for refusing to help them, even refusing to succour them. "The Flaming Sword" ends with a quotation from Ezekiel 33:1-6: 
   "The word of the Lord came to me: 'Son of man, speak to your people and say to them, If I bring the sword upon a land, and the people of the land take a man from among them, and make him their watchman, and if he sees the sword coming upon the land and blows the trumpet and warns the people, then if anyone who hears the sound of the trumpet does not take warning, and the sword comes and takes him away, his blood shall be upon his own head. He heard the sound of the trumpet and did not take warning; his blood shall be upon himself. But if he had taken warning, he would have saved his life. But if the watchman sees the sword coming and does not blow the trumpet, so that the people are not warned, and the sword comes and takes any one of them, that person is taken away in his iniquity, but his blood I will require at the watchman's hand."

400

There almost was a watchman too, in Christian Europe, potentially throughout Christendom, many centuries ago, in the very earliest days of Christianity; but Christianity declared him a heretic, and banished him, and hunted down his followers and condemned them too, because the authorities didn't like what he saw from his sentry-post on the high tower of human thought, based on witnessed experience: the existence of choice in the world, which those "Christ-murderers" the Jews called the Yetser ha Tov and the Yetser ha Ra: the inherent capability of making those choices either way, towards good or towards evil, and needing to take responsibility for them no matter what the outcome.

Why did they call him a heretic? Because it led him to deny that fundamental ideology of Good and Evil which allows everything that happens in the human realm to be the fault of the Devil or the glory of God, and thereby reduces human beings to mere automatons, programmed by whichever agent of destiny made them its subject first. And worse, he didn’t just deny it, he trumpeted it in published form.

The name of this watchman was Pelagius, and he may well have been British by birth, though he died in Palestine. There was, he insisted, no Original Sin. "Everything good and everything evil... is done by us, not born with us... we are begotten without virtue as without vice, and before the activity of our own personal Will, there is nothing in man but what God has stored in him." (Pro Libero Arbitrio, ap Augustine).

Nothing banal about that statement, is there Fraulein Arendt, Senor Levi?

My link on his name is to the Encyclopedia Britannica, the nearest I can find to a neutral account of his beliefs. You can read the Catholic version of Pelagius' life and heresies here. Best of all to read his writings, which are in Latin and hard to find in translation; the best route I can find to start hunting them down appears to be here. The portrait above right is not him, but a 17th century Calvinist "idealisation" of what he might have looked like - which turns out to be remarkably like a 17th century Calvinist!





You can find David Prashker at:


Copyright © 2014/2024 David Prashker
All rights reserved
The Argaman Press

December 6

1933




"...so now there you are like it or lump it he thinks nothing can happen without him knowing he hadnt an idea about my mother till we were engaged otherwise hed never have got me so cheap as he did he was 10 times worse himself anyhow begging me to give him a tiny bit cut off my drawers that was the evening coming along Kenilworth square he kissed me in the eye of my glove and I had to take it off asking me questions is it permitted to enquire the shape of my bedroom so I let him keep it as if I forgot it to think of me when I saw him slip it into his pocket of course hes mad on the subject of drawers thats plain to be seen always skeezing at those brazenfaced things on the bicycles with their skirts blowing up to their navels even when Milly and I were out with him at the open air fete that one in the cream muslin standing right against the sun so he could see every atom she had on when he saw me from behind following in the rain I saw him before he saw me however standing at the corner of the Harolds cross road with a new raincoat on him with the muffler in the Zingari colours to show off his complexion and the brown hat looking slyboots as usual what was he doing there where hed no business they can go and get whatever they like from anything at all with a skirt on it and were not to ask any questions but they want to know where were you where are you going I could feel him coming along skulking after me his eyes on my neck he had been keeping away from the house he felt it was getting too warm for him so I halfturned and stopped then he pestered me to say yes till I took off my glove slowly watching him he said my openwork sleeves were too cold for the rain anything for an excuse to put his hand near me drawers drawers the whole blessed time till I promised to give him the pair off my doll to carry about in his waistcoat pocket..."

James Joyce's obsession with women's underwear (he allegedly kept a pair of doll's underwear in his trouser pockets and liked to put two fingers through them and walk them across the table as a joke), is only one reason why his "Ulysses" was banned in America, until today that is, December 6th 1933, when the ban was finally lifted.

The list of other great works of literature banned at some time in the United States of Constitutionally Guaranteed Free Speech is not itself illegal to reprint here, though I will no doubt be challenged, like Tony Morrison's "Beloved" on innumerable occasions, like F. Scott Fitzgerald's "The Great Gatsby" (at the Baptist College in South Carolina in 1925), like Alan Ginsberg's "Howl" in 1956. None of these challenges were upheld however, so they are banned from my list of actually and formally banned books, which runs as follows:

Mark Twain's "Huckleberry Finn" first received the Roman thumbs-down in Concord, MA in 1885; it was described as "trash" and "suitable only for the slums".

Dee Brown's "Bury My Heart at Wounded Knee" was banned by a school district official in Wisconsin in 1974 on the grounds that it might be polemical, that polemical may equal controversial, and that controversial is not something that we want in our schools (as this is a blog about personal history, can I note that I once played Chief Red Cloud in a school production of Arthur Kopit's play "Indians", which was based on Brown's book, much acclaimed in Britain as a work of considerable historical and sociological importance; but please don't tell that to the man in Wisconsin).

Jack London's "The Call of the Wild," achieved almost universal conflagration, finding itself banned in Italy and Yugoslavia, burned in bonfires in Nazi Germany, and prohibited at home in the USA.

Joseph Heller's "Catch-22" was subjected to literary Macarthyism by a school board in Strongsville, OH in 1972. Kurt Vonnegut's "Cat's Cradle" was suggested in its place, but this too was rejected. A 1976 District Court ruling (Minarcini v. Strongsville) overturned the ban.

J.D. Salinger's "The Catcher in the Rye" has been removed from classrooms and school libraries so often it would require another list. Reasons for the ban have included "unacceptable""obscene""blasphemous""negative""foul""filthy", and "undermines morality". Completely phoney, if you want my opinion. The truth is, "people never notice anything."

Ernest Hemingway's "For Whom the Bell Tolls" never even made it to the banning stage, having been printed overseas, and declared non-mailable by the U.S. Post Office. Two other Hemingway works also achieved the Index, though not in America; "A Farewell to Arms" and "Across the River and Into the Trees" in Ireland, South Africa, Germany and Italy.

Margaret Mitchell's "Gone With the Wind" is a particularly interesting case, because the reasons for its banning were precisely identical to those given in the citation when it won the Pulitzer Prize, its realism in portraying post-bellum life in the southern states.

John Steinbeck's "The Grapes of Wrath" achieved a different sort of distinction, not being banned generally in the USA, but only in one place; which happened to be the very place, Kern County, California, where the book is set. Profanity and sexual references were the complaints, though surely "East of Eden" should then have qualified as well.

Truman Capote's "In Cold Blood" was withdrawn after the parent of a student in an AP English class in Savannah, GA complained about its sex, violence and profanity. The ban was imposed, but quickly overturned. Ralph Ellison's "Invisible Man" did for the 1953 National Book Award for Fiction what "Gone With The Wind" had done for the Pulitzer, though only locally, in Pennsylvania, Wisconsin and Washington state.

Upton Sinclair's "The Jungle" enjoys a special place in this list, being banned in places where no other books had managed to be banned before, on the Star Ship Enterprise of our voyage into the black holes of intellectual space. In his case it was an unlikely quartet of Yugoslavia, East Germany, South Korea (South, not North!) and Boston (at least they didn't throw it into the harbour).

Walt Whitman's "Leaves of Grass" joined the elite at the hands of the New York Society for the Suppression of Vice, who bullied booksellers in New York, Massachusetts and Pennsylvania into advising their patrons not to buy the "filthy" book.

Herman Melville's "Moby-Dick; or The Whale" seems a fair case for banning by the anti-whaling lobby and other animal rights groups, and one can even imagine, at a pinch, the estate of Robert Lowell being secretly delighted if it were banned, thereby encouraging people to think Lowell and not Melville when anyone mentioned Nantucket. But what actually got the book thrown out of school was quite simply "community values". No one knows what community values are, but they go alongside the equally meaningless "blasphemy" as the two major causes of prohibition across world literature.

Stephen Crane's "The Red Badge of Courage" was voted off Big Literary Brother, by the agents of a rather smaller-minded and anti-literary Big Brother, in 1986, which was more than 110 years after its publication; Nathaniel Hawthorne's "The Scarlet Letter" took rather less - two years - and lasted longer; in many parts of the USA it is still banned today, generally for being "pornographic and obscene", though whether this is a branch of "community values" or of "blasphemy" or both, remains unclear.

Have you noticed how many of these books are not about sex or religion, but about the position of Black and Native peoples in America (and how come neither of those two descriptions have evaded banning?)? More than a century after the law was passed abolishing slavery, and they still haven't started implementing it properly (Americans still have reservations about how to deal with the Native peoples)! Harper Lee's "To Kill a Mockingbird" is obviously on this list (though no one, save only the author, who was over-ruled posthumously, has thought to ban the sequel); and Harriet Beecher Stowe's "Uncle Tom's Cabin" would sit there beside it, but unfortunately the rules of banning require them to be segregated. 

A third category involves books expurgated, or Bowdlerised, of which the two I would like to mention, if you will allow me, are Ray Bradbury's "Fahrenheit 451" - ironic because it is a book about the banning and burning of books; even more ironic in that the Venado Middle school in Irvine, CA did not actually ban it, but simply employed an expurgated version of the text, which presumably astute middle school students were able to get around by finding their own unexpurgated copy of the book in the town library - and Tennessee Williams' "A Streetcar Named Desire", which was subjected to a prudent Director's Cut in the film version... did you hear that Stella, they left half our story on the cutting room floor.

What do all of the works listed here have in common, besides their subjection to the stupidity and bigotry of the narrow-minded? Answer: every one of them is now regarded as a classic of American Literature, expected knowledge of anyone who considers themselves cultured, sophisticated and intellectually open-minded; but then, those who advocate banning do not aspire to those achievements anyway.


My thanks and congratulations to the organisers of the 2014 Banned Books Week, not just for making the event happen, but for allowing me, unchallenged and unexpurgated (and unknown to themselves), both to construct my own (very slightly air-brushed but not actually Bowdlerised) version of their list, and to use one of their illustrations (top right). May I suggest that, next year, they provide us with a festival of banned music, banned paintings, banned scientific papers, banned journalists and cartoonists, banned opposition politicians; and perhaps they would also consider using my rewrite of Heinrich Heine's famous remark about banning and burning, that "where they begin by banning books, they will end by smashing statues and burning flags".



Amber pages

Monroe by Eisenstaedt

Alfred Eisenstaedt, photographer, fully approved, commencing today in 1898


Dave Brubeck, jazz pianist, took his first five today in 1920


And today, banned for more than a thousand years, first by the Anglo-Saxons, then the Normans, then the Plantagenets, the Tudors, the Stuarts, the Cromwellians, the Hanoverians, the Parliamentarians of the 18th and 19th centuries, today, at last, minus six provinces but nevertheless a start, the Irish Free State, now called the Republic of Eireland, was officially proclaimed, today in 1922. 


James Joyce's "Ulysses", it occurs to me, was published on February 2nd of that same year. But Joyce's views on Irish independence are best read in his short story "Ivy Day", in the collection "Dubliners" (Am I allowed to mention that on this page, given that "Dubliners" was never banned? Oh, it was? By the printer, and then the publisher, before it even reached the streets, let alone the courts? Are you serious?)